Aeon Flux, Final Fantasy VII, and the Hungarians like me

Thanks to everyone who offered up their insight and wisdom to answer my “what are these flowers?” inquiry yesterday. I think the consensus is that the first is a mock orange and the second some sort of azalea.

Watched Aeon Flux, and it would’ve been passable as meaningless SF fluff if it hadn’t been Aeon Flux. Some of the imagery was excellent, faithful to the weirdness and mood of the animated series, and gave the beginning of the movie an otherworldly feel. However, they emasculated Trevor Goodchild, made him an altruistic goody-good without enough common sense to anticipate a coup (or dodge a bullet). And what they did to Aeon herself! Oof. Patently, with the two main characters so distorted, their relationship lost all the kick (literally and figuratively) from the animated series. Also, none of the clever, caustic dialogue from the animated series was in evidence, and the hackneyed, cliched effort to write a SF screenplay was truly pathetic. It seems that the screenwriters had never done SF before and it shows. They were also going to make Aeon pregnant, but fortunately, saner brains in Hollywood kiboshed that abomination.

Peter Chung was pretty aghast at what they did with his creation. I hope they paid him well.

Still, Charlize Theron was impressive, even more so considering that she did most of her own stunts, even after she’d herniated a disk ten days into shooting. That woman’s got beauty and grace down pat, she does. The commentary track mentioned that she’d been classically trained in ballet, and that’s pretty obvious to anyone who has a smidgen of dance background; the series of grand jetés she does in the movie, leaping from roof to roof, were absolutely flawless. Wire work or no wire work, you don’t get that kind of turnout and extension unless you’ve had a teacher hound and harangue you about proper alignment during your formative years.

Also watched Final Fantasy VII: Advent Children. Or rather, I watched part of it and slept through the rest. Granted, I don’t play the game. Actually, I don’t play any computer games; I don’t have the time to commit to a diversion with that sort of addictive potential. I don’t really get the appeal of them–which is absolutely for the best and I’m more than content not to explore this cultural phenomenon on a personal level. But this movie utterly baffled me. The characters, their motivation, the storyline, the world, everything was one big “huh?” The animation was pretty enough, but not particularly engaging. I guess you need the background of the game in order to make sense of it. Even the battle scenes left me blinking.

fosteronfilm managed to sit through the whole thing. His review for anyone curious.

Hollywood has let me down. It’s up to V for Vendetta to restore my faith in shallow, big-budget entertainment.

   


Writing Stuff

Finished up my Apex Featured Writer interview answers and emailed them to merebrillante.

Discovered, to my great amusement, that Galaktika is doing a poll for best story in issue #193. As of this post, “All in My Mind” (or “Minden itt van a fejemben” in Hungarian) is #1, beating out offerings from both Fritz Leiber and Frank Herbert. Woot!

I took a screen shot of the poll so that even if (as I fully expect) I get knocked from the top spot, I will always have proof that once, ye verily, I beat out Fritz Leiber and Frank Herbert.

Stuck a fork in my mongo freelance research project and sent it off. A world of hurray and a continent of whew. That was some big-time brain squeezings. But hard work and stress notwithstanding, I really enjoyed it. (I shall also really enjoy getting paid.) And I’m pleased with my final product; I think I did good. Moreover, I also feel like I did something worthwhile. Helping to put together coursework that will assist teachers in effectively imparting literacy skills to young children gives me a big ole sense of glowy validation.

I guess I hadn’t realized how very much I missed being active in my academic field. I shoved all my regrets and misgivings about going into the private sector totally under the carpet of my subconscious, and they obediently stayed there for over a decade. Probably just as well. I had enough soul-sucking-induced restlessness at my day job without further dissatisfaction to gnaw at me.

Briefly, very briefly, I had a stray “maybe I should try to get my PhD” thought, but that’s really not feasible, or the least bit realistic. But at least I can hope and aspire to do more educational freelance gigs.

If I can manage to get regular work lined up–enough to pay the bills, and that’s a big if–this might be totally doable. I don’t have a problem pulling 12-14 hour days when I love the work, and while I can’t expect all gigs to be as ideal a fit with my interests and background as this one was, this is so much better than being a cubicle monkey.

Stopping to smell the flowers

Went outside to feed the cat this morning* and was inundated by the most amazing scent–sweet and delicate and decidedly floral. It was like perfume, but not the bottled, artificial variety, more like perfume the way it’s supposed to smell. And I followed my nose until I came to this flower:


Sprouting from some unnamed and unknown ornamental horticulture specimen in our front yard.

It’s lovely, and it blossoms only briefly. Anyone know what it is? Continue reading →

Happy Anniversary to Us!

It’s our anniversary. Fourteen years ago today, fosteronfilm and I were married in a private ceremony beside a waterfall in the Pocono Mountains. Matthew is my best friend, my sweetheart, my helpmeet, my confidant, my joy, and my sanctuary; he’s my everything.

Happy Anniversary to us!

And, amusingly apropos, a link ganked from teflaime: The Kama Sutra as performed by gummi bears.

   


Writing Stuff

7 out of 7 sections on the research/writing freelance gig completed. Counting on my toes, yes, that is indeed the whole thing. Whee! Donedonedonedone.

Before sending it off, I want to do a few passes for editing and style, and make sure I didn’t contradict myself somewhere or make any embarrassing gaffes. But for the most part, it’s ready to go.

I’ve said it before, and I’ll say it again: writing nonfiction is tons easier than writing fiction.

And for my next freelance job, I’ve tentatively tossed my hat into the ring for a gig to write up wedding veil descriptions. Ah, the glamorous life of a freelance writer. Snerk. Until I get concrete specs and confirmation, it’s back to work on le fiction. Except my gears seem in need of oil. I’m having a hard time disengaging from analytical scientist mode and activating creative fantasist mode. *shakes muse*

As a serendipitous segue, I’m writing up my answers for two interviews: my Apex Digest featured writer one (psst: Buy a Best of Apex Digest 2005 chapbook, yo!), and also one from a college student who found her way to my ferret and skunk website, and is writing a paper on animal rights and how the Internet has impacted the movement. So, yeah, I need to make sure I send the right interview to the right interviewer or crazy wackiness may ensue.

Received:
– The tentative ToC from dsnight for Heroes in Training. Tentative still, so I can’t post it, but I can engage in some preliminary squeeage. *squee!*
– 111-day personal “pass” from Fantasy Magazine. They “thought the story was well-written, but . . . ” Snartleblast.

Remington Steele and Apex Digest Best of 2005 anthology

Completed five and a half out of seven sections of my research/writing freelance gig, and the 1.5 sections left are all applied, so I can lay off the theory, note taking, and brain scrunching.

Therefore, with a whole week left until my deadline, I took a little time to breathe this weekend . . . which still translated to 10-hour days working on the project. But having a few hours free in the evening felt pretty decadent to me.

Because Pierce Brosnan is teh hotness, I watched the first four episodes of season one of Remington Steele with fosteronfilm, courtesy Netflix. I didn’t see it when it first aired, but I’ve been curious about it, because, well, Pierce Brosnan and all. It was fun, not terribly well written, but not atrociously so either, but definitely somewhat time-branded. However, it did exactly what I wanted it to do, which is show lotso yummy Pierce–looking very young–albeit in three-piece suits.

So yeah, the second season one disk is going into our Netflix queue.

   


Writing Stuff

This whole writing for pay thing, I like it. It’s nice having the certainty of a paycheck as I’m working on something. It’s almost like having a job. Almost.

Published:
– “Oranges, Lemons, and Thou Beside Me” in the Apex Digest Best of 2005: Volume II anthology.

Table of Contents:
“Layers” by Mike Simon
“Big Sister/Little Sister” by Jennifer Pelland (jenwrites)
“An Odd Day in I-Forgot” by Athena Workman
“Oranges, Lemons, and Thou Beside Me” by Eugie Foster

This sweet little chapbook is only $2.50, and if you buy it with Volume I, both of are only $4.00.

You know you want it. Buuuuy it . . .

Received:
– In a conjunction of timely serendipity, an email from Matthew Tait, editor/reviewer for HorrorScope, letting me know he’d reviewed “Oranges, Lemons, and Thou Beside Me” in Apex #4.

Blurbage:
“It’s a well-rounded tale with appealing characters, and brushes on incestuous erotica as Sabin – the war vet – tries to veil his feelings for his twin sister who greets him upon returning. An important plot twist involves their servant, with a finale that will not be easy to deduce and is shocking in its shrewdness.”
–Matthew Tait, HorrorScope

And issue 4 of Apex is sold out, so if you want to read the story, you have to buy the anthology.

Beastie updates

Went out to feed the cat this morning, and I saw the teeniest, tiniest, adorablest snail latched onto the edge of her food dish, undoubtedly brought out by the deluge we had last night:


That’s my thumb on the left for size comparison.

I think the kitty knows I’m trying to get closer to her. She’s been visiting and chowing down on the food I set out during the wee hours of the night when I’m unlikely to be peering out the window. Getting a little anxious; I’m running out of leftover ferret food.

In other beastie-related news, Hobkin hasn’t sicked up in over a week, which makes me very, very happy.

   


Writing Stuff

I’ve hit the Eugie-overwhelmed, brain-useless-now stage of my research project, so I switched from poring over theory to writing up the applied sections. Making good progress. I’ve got three out of seven sections completed–give or take a citation or two. Hoping to have a couple more squared away by the end of this weekend.

Received:
– Preliminary sketch from Dragonfly Spirit for “A Patch of Jewels in the Sky.” I know it’s not industry practice to involve the writer in the art selection or development, so I don’t expect to be consulted, but I always really appreciate it when I am. Also, *squee!* I think it’s going to turn out to be quite spectacular.
– 91-day form “no” from Polphony. Sigh.

Researching, yo

Researching. Researching. Researching. fosteronfilm had to drag me out of the library last night for dinner. There’s just so many papers and articles I need to read, and those spin me off into online ad hoc research. Don’t have time to eat, dammit.

I remember why I chose this area in college; I’m finding the subject matter utterly fascinating. Although I noticed that I’m not even bothering to go over the statistics sections of research papers; I just jump to the conclusion paragraphs. I have a feeling all those advanced stats classes are well and goodly flushed out of my system. Sigh.

   


Writing Stuff

basletum is interviewing me for his “Giving it Meaning” column at The Sword Review. Been pondering my answers between reading Dev. Psych. articles. I’m trying to convey my philosophy that having an insightful, relevant theme is what lifts a story from the realm of entertainment into that of art without sounding all highfalutin’ and ostentatious. The thing is, I do believe there’s nothing wrong with a story just being entertainment; a lot of mine are, and I make no apologies about it. But I think I’m coming across as pretentious. Maybe I just need to embrace my inner beatnik.

Received:
– Contract from GrendelSong for “Shim Chung the Lotus Queen.”
– Reprint sale of “Only Springtime When She’s Gone” to Apex Online. This’ll go up in May to accompany my “Featured Writer” interview. Yay!

Back in the office chair and money angst

dude_the flew back to Illinois yesterday, and I’m now playing catch-up (again), trying to make a dent in the mountain of work that accrued when I took a measly three-day weekend off. Three days. I take off three days and I can barely breathe for all the work that’s piled up. Sheesh. I remember a time when I routinely took three-day weekends with blithe unconcern. I don’t miss the circumstances of that luxury, but I do miss the luxury itself.

Our taxes went out on Monday, right under the wire, and spurred by the state of our finances, I went casting around for other sources of income. I was investigating the possibility of writing grants and found one that catered to women writers and poets to the tune of $50K for two years.

“Huzzah,” sez I, “someone trying to help poor, starving writers! I must apply.” But upon further examination, I discover that the grant application requires a $35 application fee. So yeah, they’re supporting poor, starving writers with other poor, starving writers.

Grumble. If I had a spare $35 to toss around, I wouldn’t $@&#! need a grant.

Oh well. I probably wouldn’t have had a chance anyway, being a genre writer and all. Still, foo.

   


Writing Stuff

In better news, I managed to land a very sweet freelance research/writing gig. It’s a short-term contract job with a VERY tight deadline, but it pays nicely, and, get this–I’m still in shock over it–I’m actually getting to use my Developmental Psychology degree. *gasp* I’m researching source material and information for specific coursework on teaching educators of grades K-3.

How absolutely fabulous is that? I actually cracked open my old Child Development textbooks–including the one I worked on in graduate school!–to get me started. I knew I was keeping those around for a reason . . .

I’m so tickled to be able to use my degree, although also a little aghast at how rusty and out-of-date my knowledge base is. (And also by the fact that my APA Style Manual is so outmoded that it doesn’t even mention how to cite Internet sources! Fortunately, the APA website does give out that info.) At least there’s a certain falling-off-a-bicycle feel to it. Once I started getting in up to my elbows, it all started flooding back. And even more amusing, my adviser in grad. school literally wrote the book on the subject I’m researching, so not only is this Dev. Psych. stuff, but this is totally-up-my-alley Dev. Psych. stuff.

But as I said, the deadline’s pretty stringent, which means I’ve shoved several other projects down my Things to Do list that I was working on. I’m hoping to get some of the smaller stuff done in between research jags, ’cause as I well remember from college, if I don’t give my brain a rest when I’m going over the theoretical stuff, I hit a wall where my gray matter becomes an impenetrable chunk of overwhelmed, making it and me quite useless for anything.

I’m using my psychology degree! Squee!

Received:
– Note from Jason Sizemore asking for my Featured Writer reprint story for Apex Online. Y’know what I really like? When editors ask me to send them a story. Yay!

Frolicon

Frolicon. Whee! *flop*

In recovery mode now. Think it’s going to be a slow, easy couple of days.

My first panel was the Writers for Relief one with jackzodiac and tstauffer. Many copies sold and good-natured jibbing and accolades at Davey for his incredible job at putting the whole project together.

Then I found out (!) that I had a reading that evening in the con suite. As anyone who reads my blog on any sort of a regular basis knows, public speaking freaks the ever-living bejeebers out of me. The idea of doing a reading, cold, was enough to turn me into a whimpering, twitching mess.

I was debating between having fosteronfilm read something for me, and simply hiding out until my time slot was over, when Matthew came up with the inspired idea of playing the Escape Pod podcast of “My Friend is a Lesbian Zombie”–it was even an appropriately-themed story for the convention. Problem: we didn’t have a sound system or a CD of the podcast. Fortunately, bamapair had swung by for my panel and very generously offered the use of their laptop to download it; the hotel had free WiFi even. And Joe had brought his kicking boom box for the con suite. Serendipity.

“Lesbian Zombie” went over well, with giggles and snarfs in the proper places, so I then put on “The Life and Times of Penguin” to more giggles. So much better than if I’d tried to muddle through a reading. Thank you Escape Pod!
Continue reading →

dude_the is here. Yay!

Beastie updates:

Hobkin: Sicked up on Thursday, but he didn’t yesterday. We’re trying to feed him smaller, more frequent meal to see if that helps. ‘Course that means he’s getting fed something like five or six times a day. Don’t want him to get used to that. Plus we can’t keep that up over the weekend ’cause of Frolicon. Not sure if we’re going into town tonight for the convention or waiting until tomorrow to get our registration et al. taken care of.

Kitty: No cat sightings, but she’s been chowing down on the food I’ve been setting out. I’ve refilled the bowl three times in the last two days.

   


Writing Stuff

Received:
– Contract from Aberrant Dreams for “Nobodies and Somebodies.” My editor liked my rewrite. Huzzah!

New Words:
– 1K on the story for mroctober. Chug chug chugging along . . .

Club 100 For Writers
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500/day
      21

Frolicon and Taxes

fosteronfilm and I are striving to get our taxes done before Frolicon, but the IRS doesn’t exactly go out of its way to provide clear and easy-to-understand documentation. Blah.

Herein my Frolicon schedule:

Friday
11-12:30 Lombard 1 – Writer’s for Relief (with jackzodiac and tstauffer) – Discover what it took to bring about Writers for Relief from the conceptual phase through the printing of the anthology.

Saturday
3:30-5 Lombard 1 – Fairytales and Folklore in Modern Dark/Horror Fiction (with jackzodiac and tstauffer) – Explore the origins of many of the images found in today’s genre fiction. How do today’s dark/horror fiction writers turn age old images upside down and make them modern and edgy?

5-6:30 Lombard 1 – Twisted Relationships in Fiction (with jackzodiac and tstauffer) – What happens when the obvious love relationship is turned on its head? How do you construct twisted but believable relationships in short fiction that won’t leave your reader cold, but panting for more? Why are we drawn to the twisted and unexpected?

Whoa. Saturday’s going to be a bit grueling. Three hours straight, back-to-back. Good thing I’ll be up there with Davey and Toni. I can gab forever with those fab folks.

And I haven’t prepared anything either. I probably ought to jot down some notes or something beforehand.

I’ve become much more cavalier about these panels than I used to be . . .

   


Writing Stuff

New Words:
– 600 on the collaboration I’m doing with mtrimm1, and I volley the ball back over the net. Me likie having someone else to bounce ideas off of, not to mention being able to hand off a story when I hit that “okay, that part’s done . . . now what?” wall.
– 1K on the story for mroctober. It’s taking on a decidedly Lovecraftian feel.

Club 100 For Writers
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500/day
      20