Three cheers for an even keel

Catching up on both sleep and work this weekend. I think I may actually be caught up on Tangent stuff, and I’ve published the remaining Dragon*Con articles I had to the Daily Dragon website.

Fewer hamsters, hurray!

Now I can get back to pumping out ye olde fiction. And editing schtuff for The Town Drunk before britzkrieg shows up on my doorstep with spork in hand . . .

   


Writing Stuff

I just learned that I received three Honorable
Mentions in the 19th Year’s Best Fantasy and Horror (edited
by Ellen Datlow, Gavin J. Grant, and Kelly Link) for “The Bunny of Vengeance and Bear of Death” (in Fantasy Magazine #1), “The Tiger Fortune Princess” (in Paradox #7), and “Returning My Sister’s Face” (in Realms of Fantasy Feb ’05). Squeeing and happy dancing to commenceth.

Received:
– Payment from the wonderful Cricket Magazine folks for “The Tax Collector’s Cow” (in June’s Spider). Shiny.
– 3-day lightning fast “no GUD” from GUD. Alas.

MechMuse, iTunes, and Column, Oh My

   


Writing Stuff

Published:
– My September Writing for Young Readers column is now up: “An Interview with Deborah Vetter of the Cricket Magazine Group”.
– The audio reprint of “The Storyteller’s Wife” in the Fall ’06 issue of MechMuse is also now live. I’ve been especially excited about this one after I heard their Spring issue, which had great fiction and fantastic production values.

Unfortunately, while MechMuse‘s website is pretty and very professional-looking, I find it unintuitive and awkward to navigate. Even more unfortunate, they’ve changed their delivery method such that it requires iTunes to access their content. I’m not an iTunes user, so I had to download and install it, and then I spent some time wrestling with the iTunes podcast subscription setup–which again, the MechMuse website did not make transparent, unlike Escape Pod‘s, which I find much easier to use and get around in.

But after a plaintive email to the MechMuse folks, I’ve finally had a chance to listen to it (after struggling with iTunes so that it would convert the .M4A file it seems to want to default to into an .MP3 file) and it’s . . . not what I expected.

I think the cover image sums up my feelings. It’s a beautiful, professional illustration of an elven woman–I presume Nicnivin, Queen of Faerie, as per my story. But it’s not at all how I imagined or wrote her:
Her gleaming hair wreathed her in a froth of night. Wisps of moonlight shifted and roiled in soundless tides at her feet. Her gown was a gauze of mist that swathed her body from neck to ankle, fluctuating from sheer transparency to modest opacity.

and

Her eyes were black as jet, deep as midnight, and cold as stone.

The story itself is read by a male narrator, which took me aback. While I certainly don’t maintain that my stories require a female voice to perform them–on the contrary, I think a male one would suit a number of them–the main character in “The Storyteller’s Wife” is a woman, and when I wrote it, it was a very clear and very female voice that I heard in my head. Also, my story is presented in a rather somber, drammatic tone, which while I could see it being great for, say, War of the Worlds, strikes me as being overdone for “The Storyteller’s Wife.” And finally, the character of “Hobs” is depicted with an English accent; an Irish accent would have been more appropriate, but more, Hobs ends up sounding much more dignified than I think the character should.

Urg. I’m probably just too close to the story, but I have to admit being a bit disappointed with the end production.

Ask Eugie

airikblade, who obviously was paying attention to the “networking” section of my talk, very kindly provided me with the email addresses of Ann’s Beginner’s Writers Workshop students so I could email them the handout that I was supposed to get to them last Friday.

In an effort to make amends for my egregious lapse, I told them I’d answer any further questions they had about marketing short stories to the best of my ability on my blog. Herein the first of them:

Q: I have a humorous story in the form of a collection of letters with a science fiction twist and a story that is about 18,000 characters that I am working on. Could you suggest the best place to send humor?

A: Most places, except for perhaps those ‘zines which specialize in gritty, dark horror, are delighted to see well-written humor. I’ve frequently heard that F&SF is always on the lookout for good, humorous works, and Realms of Fantasy often publishes tongue-in-cheek tales (although it’s not the place I’d recommend sending science fiction). If your story is appropriate for a YA audience, Cicada is also open to and eager for humor.

For short story markets that specialize in humorous or “lite” speculative fiction, there’s Andromeda Spaceways Inflight Magazine and The Town Drunk (of which I’m the Asst. Managing Editor).

Q: I haven’t started checking submission guidelines yet but I’m assuming longer stories do better with online zines.

A: Not necessarily. While it’s true that ezines don’t have the same space constraints that paper publications do, there’s a readability factor. Many people don’t like reading off a monitor and so eschew longer works online.

As it turns out, the “Big Four” print ‘zines have pretty generous maximum word counts. Asimov’s takes up to 15K, Analog takes up to 80K (for serials), F&SF takes up to 25K, and Realms of Fantasy takes up to 10K.

Q: I was also wondering if I had heard you correctly when I thought you said that if you had no credentials yet, it was better to omit a cover letter if none was required by submission guidelines.

A: Yep. If you don’t have anything to say in your cover letter, get out of the way and let your story sell itself. Obviously, if the guidelines ask for one, then provide one.

Dragon*Con recovery

dude_the went winging back to the Midwest yesterday. Didn’t get a chance to hug him goodbye ‘cause he had to be at the airport before I got home from work. Pook. But he’ll be back for another visit in October. Hurray!

Still dazed from the convention, but a full night’s sleep has helped get a few more neurons firing. Although I seem to be coming down with some Con Crud, dangit. Usually that misses me. Guess I needed to get a little more alcohol in my system. I had all of two sips of “Peach Pie”–a very potent and very yummy alternative to the (in)famous Tech Ops “Pie”–and that wasn’t quite enough to sterlize my system. Alas. *cough cough snog*

We picked up Hobkin from his godmother’s, and the wee fuzzy beastie is glad to be home. He snuggled with me all last night, except for when he was demanding to be fed, of course. I noticed that his coat’s already growing in thick from its summer shed. He’s all soft and fluffy. And round. Very, very round. Hobkin appears to be packing on the weight a bit early this year, and his coat’s gotten lush pretty early too. Wonder if that means it’ll be an early winter? Skunk as barometer. Yep.

   


Writing Stuff

Much catching up to do. There was a slew of hardcopy review material for Tangent waiting for me on the doorstep after we got back from Dragon*Con, which I need to assign to reviewers and sling back out into the postal service thoroughfares. I’m way behind on The Town Drunk work (gah, I hope britzkrieg doesn’t hate me). And I got a rewrite suggestion from my agent on the novel–>picture book manuscript. I also need to finish the review I’m writing for the Jigsaw Nation anthology and write three stories for various anthologies that I’ve committed to before the end of the year. Urk.

Gotta get them hamsters back in the air, pronto!

Published:
– My reprint of “Second Daughter” is now up at Her Circle Ezine.
– My “Ten Myths About Writing for Kids” article is up at Writing-World.com. But hrm, September’s Writing for Young Readers column isn’t up yet. I wonder when in the month that’s slated for . . .
[Edit: It’s up, it’s up! “An Interview with Deborah Vetter of the Cricket Magazine Group”.]

Received:
Oof. I came home to a string of “no”s. Ouch ow owitch.
– 23-day “did make the final review but . . . “ from Apex Digest.
– 127-day kindly “no” from my editor at Cicada. Wah!
– 123-day “dear writer” from Black Warrior Review. Eh, that one was a long shot anyway.

In better news, I got a note from dsnight letting me know that he’s now got a tentative release date from DAW books for Heroes in Training: September 2007. Woo!

Dragon*Con 2006

Dragon*con happened. Feet hurt. Voice stripped. Brain sloggy. But I had a great time! At least, I’m pretty sure I did . . .

dire_epiphany and astralfire, in their infinite wisdom, ordered me a backup copier for the Daily Dragon, something I could definitely have used last year. And lo, Copier One died an ignominious and dismal death on Saturday during the wee hours of the morning in the middle of the print run. The Copier is dead. Long live the Copier. lord_darkseid got dude_the up; they tinkered with Copier One, declared it moribund, and dude_the made an executive decision to activate Copier Two without further pokings at its defunct predecessor. They moved C2 into place and resumed the run, all without waking me from my comatose slumber. My staff rocks!

In addition to dude_the, who did his usual amazing job as my assistant director, and lord_darkseid who seems to have, once again, lived in Daily Dragon headquarters this year, a huge THANK YOU goes to sfeley for doing the DD podcast, and my sterling reporters: yukinooruoni, canadiansuzanne, reddherring1955, arkhamrefugee, and those folks who don’t have an LJ: Claire, Charlie, and Matt.

On the Eugie-guest front, my short story marketing lecture for Ann Crispin went fabu. I got chuckles in the right places, and her students seemed genuinely interested in what I had to say, as well as glad to have me there to say it. I did, however, totally drop the ball (or hamster as the case may be) on the handout front. I normally email Ann the handout that accompanies my talk, but this time I’d emailed it to her after she’d already left for the con, and therefore she didn’t have it. When I discovered this, I promised her students that I’d print out and bring them copies of it after lunch. But then, after lunch, a few minor crises occurred, and I promptly forget.

Oops.

So, uh, if any of y’all were paying attention to that section on “networking” I was talking about, and actually come visit this LJ, drop me a comment and I’ll email you the handout. Also, Ann said she’d email it.

My panels went great, although I managed to be late to ALL of them. I think my favorite might have been the horror one on Friday, “Shriek! Finding the Horror in Horrible,” that I had with Sherilyn Kenyon, Holly Black (blackholly), and Cherie Priest (wicked_wish). I actually had the foresight to bring my copy of Tithe for Holly to sign. Fangirl squeeing! And oliver_dale popped up afterward to introduce himself and say the nicest things. The fine folks of Aberrant Dreams also came up to say “hi,” as did Jason Sizemore of Apex Digest. And Jason gave me an Apex mug! It is the coolest mug evah! I recommend that everyone get one. I am taking it to work so that I may have my cup of world domination every day.

My “The Power of the Old Stories: Mythology and Folklore in YA” panel was also jam packed with luminaries. Josepha Sherman was there in addition to blackholly again (I think Holly and I were in three panels together). I was on panels with Jo last year, and I absolutely lubs her. Unfortunately, I was very late to that one (I think there’s some sort of time sink between the Marriott and the Hyatt), and scampered in after they’d finished doing intros and were already discussing topics. Urg. I remain mortified. My two YA panels—one for bevlovesbooks YA track, “So You Want to Write a Kid’s Book?”, and one for Nancy Knights Writer’s Track, “YA and Children’s Literature”—went fantastically too. I got to be on a panel with Brad Strickland! Although I always feel sort of inadequate on the “Write a Kid’s Book” one since I don’t actually have a kid’s book, just short story sales. Meep.

My reading, which I stressed and fretted over, went absolutely great. palmerwriter was there for moral support—and I’m rather bummed that I missed his reading–as were j_hotlanta, rigel_kent, and britzkrieg. And ericjamesstone was there, and he brought three things for me to sign: a copy of Hitting the Skids in Pixeltown, an issue of Realms of Fantasy with one of my stories in it, and my Inspirations End/Still My Beating Heart chapbook. *smooches* Eric. That totally made my day.

Other people sightings include Jetse DeVries, who came by Daily Dragon headquarters to say “hi” and drop off some Interzone and TTA Press swag, Keith DeCandido, who I got to help schedule a reading and signing for, and reudaly at her booth in the Marriott selling pretties. While in the exhibitors area, I also got to meet Frank Fradella (newbabel) who totally amazed and flattered me by calling me over to his booth by name! We had a lively chat and shared our Harlan Ellison experiences (his was, by far, more interesting than mine). And he signed and gave me a copy of Valley of Shadows!

On the see-panels front, I wanted to see the Firefly/Serenity folks, but the stars did not align. I also wanted to catch the Junior Mythbusters, and again, it was not fated to be—especially since they had major mechanical difficulties with their plane and arrived to the convention much later than their original ETA. But I did get to try out the Rocket Simulator . . . which I crashed. Whee.

And on the see-people front, I got to hang out with sara1221 and wave at sruna and pleroma as they flitted by between working shifts for fosteronfilm’s Inde Film Track. I also got to take pictures of all the gorgeous costumes of glenn5 and see elemess out of the office environment (he also walked me from the Capitol to the Hyatt on Thursday, after we discovered the MARTA was broken—which was a good thing too as I wouldn’t have any idea how to get to the Hyatt otherwise). And jackzodiac swung by to say “hi,” early on, and invited me to party with him in the Green Room, but I was too busy to party (wah!) and didn’t see him for the rest of the con. Sigh. D*C is so much my working con. But at least I’ll get to party with him at Mobicon. No working there, all play. *nods*

Dragon*Con happened. I sleep now.

Dragon*Con Eeeeee!

No. More. Schedule changes! Please, please, please. No more, no more. I promise I’ll be good. *whimper*

So yeah, D*C is upon us. dude_the is here, although his plane was massively delayed due to mechanical problems, and after he finally got to ATL, they made all the passengers on his plane sit and wait after they’d touched down because of the lightning. The poor guy didn’t get in until after 1AM.

Had my own bout of transportation woes this morning. The MARTA was also experiencing some mechanical difficulties, and my train, when it finally arrived, was quite late. And unairconditioned.

The convention hasn’t even begun and my eyes feel ready to sear themselves free of my skull. Ugh. Lotso coffee most commenceth.

In less complainy news:
This year, the Daily Dragon is launching a podcast to give con-goers another way to get up-to-date Dragon*Con news during the convention. Stephen Eley, of Escape Pod (escapepodcast), will bring you news, highlights, and his own brand of humor and insight every day.

The first, pre-con podcast for Thursday is now up for download.

Spoke too soon. My dance card explodeth, agh!

With the pocket program now up, I had a chance to look over my Dragon*Con schedule.

I’m also slated for:
– “Shriek! Finding the Horror in Horrible” (WRIT) at 10PM on Friday with Holly Black (blackholly), Eric Griffin, Sherilyn Kenyon, Cherie Priest (wicked_wish), and Steve Antczak.
– “YA and Children’s Literature” (WRIT) at 11:30AM on Saturday with Diana G. Gallagher, Anthony R. Karnowski, Rebecca Moesta, Brad Strickland, Berta Platas, Eldon Thompson, and Michelle Roper.
and
– A reading on Saturday at 6PM (Williams).

Meep. A reading. My DC2K group was trying to put together a group reading for D*C, and I would’ve been okay with being a part of that, but the prospect of doing a solo has me twitching. A lot.

My dance card overfloweth

Ann Crispin, my writing mentor, telephoned last night to ask me to reprise my guest lecture for her Beginners Writers’ Workshop at Dragon*Con. I said I would, of course, with the familiar anticipation and terror that I always have when I contemplate public speaking, especially solo public speaking.

I definitely need to revise my talk. The market environment has changed, with some markets folding–most notably SCI FICTION–and others arising, and I want to mention audio ‘zines like Escape Pod, Psuedopod, and MechMuse.

I’m also slated for four panels (I think):

– “So You Want to Write a Kid’s Book?” with Shane Berryhill, Alan Gratz, Holly Black, and Cassy Clare for bevlovesbooks‘s YA Lit Track (Friday 5:30PM).
– “The Power of the Old Stories: Mythology and Folklore in YA” with Josepha Sherman, Holly Black (blackholly), and Heidi Heiner (Saturday 4PM), also for the YA Lit Track. (I get to be on a panel with Holly Black! *squee!*)

And two Writer’s Track panels. I think one’s on horror and the other is on writing YA fiction, but I can’t remember when those are.

I always enjoy doing panels at D*C, and yet I always freak out beforehand.

Stupid brain.

Wood-eating visitors

So yesterday for fosteronfilm‘s birthday, we had many guests over who abused our hospitality. And they’re still here! They’re small, six-legged, have ravenous appetites for wood pulp, and are uneducated on the nuances of etiquette and good manners, especially the “don’t eat your host’s house” one and also “don’t overstay your welcome.”

Yep, we have termites. We’d let our termite coverage slide during the year-o-poverty-and-unemployment, but now that we’ve got a regular income coming in again, we’re taking care of all those things we let lapse in order to minimize the amount of money hemorrhaging out of our savings. Renewing our termite coverage was high on our priority list and good thing too. Seems the little buggers haven’t done a huge amount of damage yet, only chewing through one baseboard (which is fortunately no longer on an outside wall, as it’s on the side of the house we built a sunroom on during more prosperous times.) But there is a hole there which we’ll need to see about calling a contractor in at some point to fix.

The exterminators are charging us $850 to evict our unwelcome visitors. *Gurgle* But, as a bonus, they’ll take care of our yellowjacket wasp nest for free.

Sigh. We’re sort of over a barrel on this one, so we gave them the go-ahead. We could get an estimate from another company, but we’ve had Terminix before, and they would charge comparable rates (if I recall correctly), and I wasn’t particularly impressed by them.

The creepy-crawlies here are bigger, meaner, and scarier than their brethren up north, one of the few things I dislike about living in the South.

   


Writing Stuff

Received:
– 201-day sale of “A Parade of Taylups” to Aberrant Dreams, my third to these fine folks. Woohoo!
– 254-day French reprint sale to Faeries of “Of Two Minds in Lanais” (which originally appeared in Brigham-Young’s Leading Edge in 2004). This is also my third sale to this excellent publication. Yay!